
High Sweden Bridge,
Lake District
Directly beneath the bridge the water is calm and wet-into-wet reflections have been dropped in - you often have to control these with a damp brush to make sure they don't spread too much.
Lower down, white patches have been retained amongst the dabs of French Ultramarine and Burnt Umber. Note how, even on a rain swept day, the tops of the rocks are catching the light quite strongly.
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This month's tip comes from Learn to Paint Watercolour Landscapes book by David Bellamy
available on this site at a special price of £6.50
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