David Bellamy – Painting a Mountain Stream

Where I live we are blessed with countless streams and waterfalls tumbling down the hills and mountains, and I like nothing better than to wander beside a mountain stream with sketchbook, well away from the hurly-burly of life. One mountain stream is worth far more than a thousand mental health quacks for our well-being. In my short demonstration painting last week on the Shopkeeparty site I painted a mountain stream on a misty day, as seen below, and on Thursday 13th will be doing a much longer, more considered workshop on the site.

    In the painting I aimed to lose much of the mountain and its detail in background mist, using the wet-in-wet technique, pulling out some of the colour on the left-hand buttresses with a damp brush to suggest light catching the boiler-plate slabs of rock. This was accentuated when the paper had dried by painting in the left-hand buttress which contrasts the softer-edged wet-in-wet approach used on the right-hand one. The central group of conifers was also painted wet-in-wet so that a real sense of distance was created when the dark-tones trees on the left were added. Notice on the cascade how the rocks are placed with hard edges at the tops and soft ones where the rocks rise out of the tumbling water. 

    Next Thursday at 3.30pm I will be running a 2 to 3- hour workshop on painting a waterfall with sunlight and autumn colours, and you are welcome to join me. I shall be showing you how to tackle many fascinating features:

  • how to introduce striking light effects
  • creating effective rock structures
  • making the most of exciting autumn colours
  • the magic of wet-in-wet passages
  • how to capture the energy of falling water
  • the importance of lost and found edges   …..and so much more!

    You will find further information at  Workshop: Autumn Waterfall with David Bellamy (shopkeeparty.com)
    I shall look forward to seeing you then.

David Bellamy – Introducing counterchange into a painting

 One of the little subtleties I enjoy putting into my paintings is that of counter-change, sometimes simply to create a variation and sometimes out of necessity. In my recent workshop demonstration at Shopkeeparty I employed the technique for both these reasons in the painting of a farm in Nant Ffrancon.

This is the central part of the watercolour, and you can see the slate fence in the right foreground with two of its uprights light against a darker bush, while the rest of the uprights are dark against a light area of the farmyard. I could just as easily painted the two left-hand uprights dark and it would still have worked, so in this case it was painted like that just to include a little variation.

If we now move across to the barn on the right of the composition you will see that the roof has been painted dark of the left-hand side where it stands in front of a light background, and then the roof is depicted light on the right-hand side against a dark background. In this instance it was necessary to introduce counter-change to make the roof stand out at both ends. This is an extremely useful device to have in your artistic armoury, so try to incorporate it into your work whenever you can.

I have further Shopkeepeasy workshops coming up in early May and you are welcome to join in. The first is on Thursday 6th May at 2pm, is free to Shopkeeparty patrons and lasts 45 minutes, which you can check out at Mountain Stream with David Bellamy (shopkeeparty.com)          while the second one which lasts between 2 to 3 hours is on Thursday 13th May at 3.30 pm, which you will find at  Workshop: Autumn Waterfall with David Bellamy (shopkeeparty.com) for which there is a charge. Both events will feature a mountain stream with a cascade or waterfall.

I hope you are all able to get out into the countryside to paint and sketch now that things are easing up.

David Bellamy – Painting a mountain bothy

 Amazingly, even during these periods of lockdown there is just not enough time to get everything done, and it’s not just because I am putting exercise as a priority. The weather has not been helpful lately, with an inordinate amount of wind and rain. Trying to film a demonstration watercolour on the moors recently out of the wind, was a real struggle. It affects the microphone badly, so I needed some shelter. Having found a reasonable spot I began the watercolour and then found the washes icing up on the paper – it was far colder than I’d realised, and well below zero. I hope to get it organised before long.

    In the meantime I did an online workshop about ten days ago on Shopkeepeasy, featuring a mountain bothy. With only 45 minutes it is quite a challenge to complete the painting, which is shown above after I’ve included a few little embellishments such as a little detail on the prominent rock pinnacle, some detail on the buildings, touches in the foreground and the addition of some smoke from the chimney. There are several ways of creating smoke even as an afterthought, and in this case I scraped it out gently with a scalpel. You need to be careful with this method of course, but it is useful if other methods fail. Sometimes if you have used staining colours around the chimney it is almost impossible to pull out any colour to form even a wisp of smoke, so this technique does have its uses. You can see the demo on  https://youtu.be/tSwuMvH9WQY

    On Thursday 25th February I have a further online workshop with Shopkeepeasy where I will be demonstrating a mountain farm. You will be shown how to create a sense of place, bringing in local character to enhance your landscapes, how to blend in the sky with misty mountain peaks in the background, introducing rogue colours that are not actually in the scene but will give it a lift, creating a semi-abstract foreground, and much more. You can obtain details from the above link.

    Hopefully, with the onset of the vaccination programme we’ll be able to travel safely once again, before long, and once more be able to take part in courses on location. In the meantime, keep painting! 

David Bellamy – Painting Wild Serengeti

I will be giving a talk and demonstration at The Galtres Centre, in the Market Place at Easingwold on Friday 26th April, and you are welcome to come and have a chat. The theme will be “Wild Serengeti” and I will be covering encounters and sketching with African wildlife. The event starts at 7.30 pm and for those using satnav the postcode is YO61 3AD. For tickets and information please ring the Galtres Centre on 01347 822472

The scene shows wildebeeste startled by a lion during the annual pilgrimage across the Serengeti, when the line of wildebeeste runs from one end of the horizon to the other. The lion watched them with indifference, probably having eaten so many he couldn’t face any more for a while! I enjoy working on a narrative like this, where there is more than just the visual image. To make the main animals stand out I deliberately simplified the ground directly behind them. Fast movement is depicted not just by blurring the legs slightly and placing them in running positions, but also by the angle and attitude of the body. This is at its clearest in the two beasts 3rd and 4th from the left, where they are moving away from the viewer and their bodies are slightly leaning over to the left as they turn away.
 The painting was done on Saunders Waterford 140lb rough paper.

Some folk may wonder why I don’t use Facebook, even though there is an account in my name (which I don’t use). I find it almost impossible as I live quite an action-packed life with little time to spare – in fact I don’t paint so often these days because 21st-century life just is too demanding of one’s time. Technology is supposed to make life easier for us, but I find it just adds an extra burden, being so incredibly slow and error-prone. It’s much greater fun to be out in the wilds or at least brandishing the old-fashioned paintbrush somewhere nice and remote.