Painting in Pastel & Sketching in Watercolour

I love sketching, in fact I love sketching more than painting. There is nothing like the feeling of being outside, hopefully in pleasant weather, capturing an old buildings or lovely landscape in your sketchbook.

Stockland, Devon

Sketch of old cottage in Stockland, Devon, by Jenny Keal

Many of the sketches I make will never become paintings as most of them I do just for the pure pleasure of it, but every sketch I do teaches me something, sharpens my observation and improves my painting and drawing skills.

Sketching in watercolour is not as difficult as you might imagine, and there is a sense of liberation about painting a watercolour in a sketchbook that is absent when working on a sheet of expensive watercolour paper in the studio. You do not have to worry if it goes wrong as it is ‘just a sketch’ . You can slosh the paint around and so often I prefer the looseness of the sketch to the carefully considered finished painting, whether it is in watercolour or pastel.

exmoor

Typical Exmoor scenery, (photo)

lynmouth

Lynmouth Devon (photo)

If you would like to experience this sense of liberation you could join me in Lynmouth, Devon from 20th to 23rd May this year. We will be sketching in watercolour out of doors, and then turning these sketches into pastel paintings in the studio. You don’t have to use pastel of course, you can use whatever medium you prefer. The main emphasis will be on capturing the marvellous Devon scenery, pretty cottages, tumbling streams, woodland and even the coast.

One of the benefits of watercolour sketching is that it definitely improves your studio watercolours.

Sketching on Skye

David and I have just returned home from a trip to Skye. We stayed with Rosemary Hale in Aird of Sleat at her lovely coft house for a few days and for me it was sketching heaven with traditional buildings in every direction against a backdrop of mountains and islands.

Cottage on Skye

Half Seventeen in Aird of Sleat where we stayed with Rosemary

There were so many scenes to sketch that I had to work very quickly. In these circumstances I often create outline sketches in the field so that I can capture more compositions, and add watercolour washes to these in the evenings. That way I have plenty of material to work from when I return home and return with a feeling of having done justice to the plethora of subjects.

Sketch on Skye

Lower Breakish, Sketch done out of doors in about 10 minutes

Watercolour Sketch

Lower Breakish, Watercolour washes added the same evening

By adding the watercolour washes to the sketch the same evening, the colours are still fresh in my mind. Sometimes I make colour notes on the pencil sketch to remind me. Working this way I can produce 5 or 6 sketches a day instead of just one. This sketch was done on a walk along the shore at Lower Breakish.

Towards the end of our stay on Skye we spent a couple of nights with Helen Stephensen at her superb Bed and Breakfast, Sealladh Alainn,  in Lower Breakish. The views from the breakfast table across the Loch were stunning with subjects to draw and paint in every direction.

Sealladh Allain

View from the breakfast table at Sealladh Alainn

David and I are both demonstrating at Patchings Art Festival on 14th and 15th June. Come along and say hello to us there.