David Bellamy – Sketching a bridge through trees

I’ve just returned from a sketching trip to the English Lake District, having experienced a variety of weather conditions, making for some interesting and varied sketching outdoors. The best day was when I climbed to the summits of the Coniston peaks on a sunny day. I aimed initially for Swirl How, from which there are marvellous views all round, and at that level extensive snow made them even more impressive. I was perfectly happy sitting in the snow painting a watercolour sketch and sipping a coffee with hardly a breath of wind. When I moved further south along the ridge and looked back the southern aspects of the mountains were completely devoid of snow. Had I done the trip the other way round I’d have been really disappointed with the views northwards.

The sketch I’m showing, though, is one done in light rain, using a watersoluble pencil on a cartridge pad. As you can see it has quite a few notes and a slightly different view of the bridge itself from higher up, at the top of the page. From my position below the falls the bridge was mainly obscured by branches – in summer it would have been impossible to see, but by moving around a little I was able to piece together the main bridge structure, reducing the number of branches.

I then moved higher up, almost on a level with the bridge, and drew in the details as seen at the top of the page. This explained the structure of its rather unusual, but attractive shape, and was helpful even though the perspective was naturally quite different from the first drawing. I backed it up with photographs, but this is a case which clearly shows the advantage of a drawing, both for the main overall subject, and those little bits of detail that can lend an authentic feeling to your work.

You can find the lovely old bridge on the track up to the Coniston Coppermines Valley, where it levels out, but take care as there are steep and deep drops into Church Beck. I’m glad to say that I’ve now handed my book on painting winter landscapes over to my publisher, to be published in the autumn, but this one sketch gives you a good idea of the advantages of getting out there before all that dreaded greenery arrives!

David Bellamy – Hang on to your sketchbook!

For the past seven months we’ve had the inconvenience of Erwood Bridge being closed for repairs. It’s also badly affected the Erwood Station Craft Centre, a very popular stop for refreshments between north and south Wales, and of course, well renowned for its crafts. Apparently it will be re-opening very soon, and you will be able to get your mule and your goods across the Wye in one go!

The Wye is a bit of a pig to cross without the aid of the bridge. I did it once, but fell in fully clothed, slipping on a rock under water. Happily I clung on to my sketchbook, so it didn’t get wet. I keep an A5 one in a bum bag which I stick round my neck if I’m going into deep water, and thus can easily hold it high above my head if I get swept away. Don’t try that at home, please!

Anyway, we’re hoping it will be a great year for the centre, especially as they’ve put so much effort into making it the amazing place it is today. Yes, closing the bridge was necessary for the repairs, but why so long? It’s a lovely place in spring, and is the start of some superb walks, so why not pay them a visit? You can also see some of the paintings I’ve just delivered to them. They are situated on the east bank of the River Wye about half a mile north of Erwood and some 6 or 7 miles south of Builth Wells. Don’t forget, for a while yet the bridge will be closed so you need to come up the east side via Boughrood from the south, or down the A4567 from the north. Ring the Erwood Station Crafts Centre on 01982 560674 if you need directions. They will be delighted to welcome you.

Sketching mist streams in the Canadian Rockies

I’ve not long returned from a trip to the Canadian Rockies, where the mountains rise high in truly awesome splendour. I managed around a hundred sketches, many in watercolour, and the hot, sunny weather made it really a pleasure to be out sketching. Luckily I had some bad-weather days as well, even some snowfall, and this gave my work that added atmosphere: when you can see everything there is no mystery.

Canadian Rockies

This watercolour of Stoney Squaw Mountain near Banff was done on a cartridge sketchbook, showing fresh snow and wreaths of mist, which many find difficult to tackle. If you use copious amounts of water and keep your edges soft (sometimes you need to soften edges that have dried hard with a damp brush). Obviously experience with the wet-into-wet technique helps here, and you may well need to re-wet some areas to create misty shapes of crags, trees and ridges.

One of the great advantages of the colour sketch over a photograph in a situation like this is that you usually find the camera will record simply stark contrasts of dark rock and white snow, losing any sense of colour, unless strong light is highlighting  any colour. When sketching, observe carefully any colour present in rocks and vegetation, even exaggerating it if necessary, to avoid the work looking too cold or sombre.

I can’t wait to get going on some enormous compositions of the Canadian scenes.

Painting holiday in Canada

I’ve just returned from East Anglia, where I indulged in my passion for maritime scenes and collected a number of sketches of old sailing barges under way in Harwich Harbour. Despite the distractions of a giant ferry crashing into the quay and the subsequent charging around of lifeboats, harbour patrol launches, tugs and kitchen sinks, I managed to achieve some lively images which will be the subject of a future blog.

Canadian rockies

Canadian Rockies

We still have vacancies on our painting holiday to Canada on September 1st when Jenny and I take a group to the Rockies to paint some amazing scenery. I shall be demonstrating how to paint the sublime natural scenery.  It is easy to be overawed by such spectacular scenery, so I will be showing how to cope with the big landscape and produce an exciting composition, as well as many other aspects of painting, whether you like to work in watercolour, oils, pastels or whatever. There will be plenty of time to paint and sketch, and if anyone wants to do a little walking that would be great, but it is optional.

The holiday runs from 1st to 14th September, and is organised by Spencer Scott Travel in conjunction with The Artist and Leisure Painter magazines. For further information please email  info@spencerscott.co.uk or telephone +44 (0)1825 714310 or check the website www.spencerscotttravel.com

Finding time to blog and sketch

Trying to maintain a regular blog is pretty much impossible for me, especially at the moment with so much happening. There simply isn’t enough time to do all I want. Since the previous post Jenny and I have joined in a major protest in Mid Wales at the start of a public inquiry into five wind farms which, if given the go-ahead will industrialise vast swathes of beautiful landscape and trash the main economy based on tourism. Following that I demonstrated in a slightly different style at Patchings Art Festival in the St Cuthberts Mill and Search Press marquees, and without a break continued to Derbyshire to run a painting course at Derbyshire Arts.

Hardly back from Derbyshire and I had a rather significant birthday party, which unfortunately was interrupted by the local health and safety officials as pictured above. Nevertheless, much fun was had by all concerned, and nobody got too wet. This interlude was then followed by a spot of filming for another project, until at last! – yesterday I could disappear off into the hills and relax for the first time in a few weeks.

There’s been some marvellous weather for working out of doors lately, and long may it continue. I have a number of sketching kits, ranging from large expedition ones to pocket-sized pads with a pencil or two plus an aquash brush – it really is worth taking a few materials with you, plus a camera, to catch a fascinating composition while you are out. If you feel embarrassed sketching out of doors then hide your sketchbook in a copy of the Beano or other comic and pretend to be doing the crossword……enjoy the summer.