David Bellamy – Painting a Mountain Stream

Where I live we are blessed with countless streams and waterfalls tumbling down the hills and mountains, and I like nothing better than to wander beside a mountain stream with sketchbook, well away from the hurly-burly of life. One mountain stream is worth far more than a thousand mental health quacks for our well-being. In my short demonstration painting last week on the Shopkeeparty site I painted a mountain stream on a misty day, as seen below, and on Thursday 13th will be doing a much longer, more considered workshop on the site.

    In the painting I aimed to lose much of the mountain and its detail in background mist, using the wet-in-wet technique, pulling out some of the colour on the left-hand buttresses with a damp brush to suggest light catching the boiler-plate slabs of rock. This was accentuated when the paper had dried by painting in the left-hand buttress which contrasts the softer-edged wet-in-wet approach used on the right-hand one. The central group of conifers was also painted wet-in-wet so that a real sense of distance was created when the dark-tones trees on the left were added. Notice on the cascade how the rocks are placed with hard edges at the tops and soft ones where the rocks rise out of the tumbling water. 

    Next Thursday at 3.30pm I will be running a 2 to 3- hour workshop on painting a waterfall with sunlight and autumn colours, and you are welcome to join me. I shall be showing you how to tackle many fascinating features:

  • how to introduce striking light effects
  • creating effective rock structures
  • making the most of exciting autumn colours
  • the magic of wet-in-wet passages
  • how to capture the energy of falling water
  • the importance of lost and found edges   …..and so much more!

    You will find further information at  Workshop: Autumn Waterfall with David Bellamy (shopkeeparty.com)
    I shall look forward to seeing you then.

David Bellamy – Introducing counterchange into a painting

 One of the little subtleties I enjoy putting into my paintings is that of counter-change, sometimes simply to create a variation and sometimes out of necessity. In my recent workshop demonstration at Shopkeeparty I employed the technique for both these reasons in the painting of a farm in Nant Ffrancon.

This is the central part of the watercolour, and you can see the slate fence in the right foreground with two of its uprights light against a darker bush, while the rest of the uprights are dark against a light area of the farmyard. I could just as easily painted the two left-hand uprights dark and it would still have worked, so in this case it was painted like that just to include a little variation.

If we now move across to the barn on the right of the composition you will see that the roof has been painted dark of the left-hand side where it stands in front of a light background, and then the roof is depicted light on the right-hand side against a dark background. In this instance it was necessary to introduce counter-change to make the roof stand out at both ends. This is an extremely useful device to have in your artistic armoury, so try to incorporate it into your work whenever you can.

I have further Shopkeepeasy workshops coming up in early May and you are welcome to join in. The first is on Thursday 6th May at 2pm, is free to Shopkeeparty patrons and lasts 45 minutes, which you can check out at Mountain Stream with David Bellamy (shopkeeparty.com)          while the second one which lasts between 2 to 3 hours is on Thursday 13th May at 3.30 pm, which you will find at  Workshop: Autumn Waterfall with David Bellamy (shopkeeparty.com) for which there is a charge. Both events will feature a mountain stream with a cascade or waterfall.

I hope you are all able to get out into the countryside to paint and sketch now that things are easing up.

David Bellamy – Painting a mountain bothy

 Amazingly, even during these periods of lockdown there is just not enough time to get everything done, and it’s not just because I am putting exercise as a priority. The weather has not been helpful lately, with an inordinate amount of wind and rain. Trying to film a demonstration watercolour on the moors recently out of the wind, was a real struggle. It affects the microphone badly, so I needed some shelter. Having found a reasonable spot I began the watercolour and then found the washes icing up on the paper – it was far colder than I’d realised, and well below zero. I hope to get it organised before long.

    In the meantime I did an online workshop about ten days ago on Shopkeepeasy, featuring a mountain bothy. With only 45 minutes it is quite a challenge to complete the painting, which is shown above after I’ve included a few little embellishments such as a little detail on the prominent rock pinnacle, some detail on the buildings, touches in the foreground and the addition of some smoke from the chimney. There are several ways of creating smoke even as an afterthought, and in this case I scraped it out gently with a scalpel. You need to be careful with this method of course, but it is useful if other methods fail. Sometimes if you have used staining colours around the chimney it is almost impossible to pull out any colour to form even a wisp of smoke, so this technique does have its uses. You can see the demo on  https://youtu.be/tSwuMvH9WQY

    On Thursday 25th February I have a further online workshop with Shopkeepeasy where I will be demonstrating a mountain farm. You will be shown how to create a sense of place, bringing in local character to enhance your landscapes, how to blend in the sky with misty mountain peaks in the background, introducing rogue colours that are not actually in the scene but will give it a lift, creating a semi-abstract foreground, and much more. You can obtain details from the above link.

    Hopefully, with the onset of the vaccination programme we’ll be able to travel safely once again, before long, and once more be able to take part in courses on location. In the meantime, keep painting! 

David Bellamy – Painting a Downland scene in winter

I hope during this lengthy lockdown you are able to get out for exercise, fresh air and perhaps a little sketching, as these things are so vital to our well-being. Although it’s quite cold today, these winters are pretty mild compared to what it was like when I was a youngster, so there are many occasions when it is fairly comfortable to work outside. I live at the foot of vast moorlands, so I get up there as often as I can. In mid-January I sat on a rock painting distant snow-covered mountains in warm sunshine, in more comfort than many a summer day.

    Today I have a winter scene on the Sussex Downs, which I did many years ago. A light coating of snow gives you the opportunity to bring in some colour while retaining the white of the paper where you wish to indicate pure snow. Keeping the landscape light in this way gives you the opportunity to make the most of cast shadows which will stand out strongly. I have cut a little off the left-hand side so that the details are not too small, although this does make it look as though I’ve plonked the farmhouse in the centre. Note the intermittent lines of ploughed furrows, which keeps it from being an overwhelming foreground. The massed trees in the distance have been enhanced by touches of highlights in places and the closest edge stands out where I have described one or two individual trees. The painting was done on Saunders Waterford NOT 140lb paper. 

    I shall be doing a couple of online watercolour workshops with Shopkeeparty in February, the first being on Thursday 11th at 2pm. This lasts for 45 minutes, is free, and you can join me in painting a simple landscape. All the details, including art materials are shown on the Shopkeeparty site and the free link is    https://us02web.zoom.us/webinar/register/7916124614355/WN_kKSNDBCgQ9CyycEOLCCRgQ

The second workshop is on Thursday 25th February at 3..30pm and lasts 2 to 3 hours, for which there is a fee. Again, all the details are on the Shopkeeparty site. I hope to see you there. In the meantime, enjoy your painting.

David Bellamy – Creating a sense of movement in vehicle paintings

Sketching moving objects can be quite dramatic, especially if it’s an enormous tank churning around in mud with bits of earth flying in all directions. Vehicles make for complicated subjects, and tanks are no exception, but when they are moving across rough ground they often throw up a lot of dirt, dust, smoke and all kinds of things that are very handy for losing parts of the vehicle and giving a strong impression of movement.

This sketch of a Soviet T-72 tank of the Cold War era was done with a 4B pencil. The cloud of dust behind it and the loss of detail in the lower wheel and track suggest movement. I’d already sketched one coming directly towards me as I tried to capture the sense of atmosphere and a fast-turning tank, but in this view I wanted to bring in more detail as it moved broadside on from my viewpoint. The advantage here was that it paused enough for me to render a lot of the detail before it resumed a steady progress to the right.

Simply suggesting some of the wheels helped to give a sense of a moving vehicle and of course it made my task easier. To indicate greater speed I would normally lose more detail at the rear, but here I wanted to include detail I might need later. Spattering more muck around at the rear would also emphasise this effect.

Whilst you may not wish to sketch in the middle of tank manoeuvres these points can help when you are painting a scene with moving tractors in a field, or excavators digging up your local green space, and it makes quite a change from a still life after weeks of lockdown!

I will be doing a free 45-minute online demo at 2pm on Tuesday 4th August which you are welcome to join in with your own painting at the same time – details are at  https://www.shopkeeparty.com/artyclasses 

and on Tuesday 11th March at 3.30 pm I will be doing an online watercolour masterclass details can be found at   https://www.shopkeeparty.com/artyclasses
Both will be live online so you’ll be able to ask questions.

Enjoy your painting…….