Category Archives: sketching outdoors

David Bellamy – With watercolours to Austria

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September was another of those all-action months where there was no time to write blogs: sadly there are many things happening which I simply don’t have time to relate. On 14th September I had one of the proudest moments of my life when Catherine, my daughter, married Nicko. They met at clown school in Paris many years ago and had an amazing wedding with the reception in a delightful woodland setting. Overwhelmingly, the guests were actors, actresses, directors, producers, musicians, magicians, clowns (of course), singers, and folks from the entertainment industry. The Bollywood-style dance was truly jaw-dropping, and the church service rocked.

A few days later Austria beckoned: a painting group holiday arranged by Richard Cartwright of West Norfolk Arts with the assistance and local expertise of our friend Christof Hoelzl who found us some exciting locations to paint.

Based in the beautiful Stubaital valley we painted and sketched the surrounding peaks, and on a very wet day tackled a waterfall. Although I don’t do many city and town scenes we spent a day in Hall which has many splendid old buildings, and I found myself really enjoying the change. The watercolour of Rosengasse was done quickly in a cartridge sketchbook while it was spitting with rain. I could see much more than I’ve included, particularly beneath the church tower, but I did not want to over-work it, and eliminating distant detail further suggests distance.

I’ve run the colours of the walls into one another, assisted by the falling rain, while Christof gallantly held his umbrella over the sketchbook as I demonstrated. One feature I love about these Austrian towns is the ubiquitous hanging signs with their ornate metal hangers. I took the opportunity of photographing many of these to use elsewhere, possibly as collages. Note how I have vignetted the interesting stonework of the street so that only few stones are shown in the foreground.

 With autumn upon us do get ready for those glorious colours. Don’t wait just for those lovely sunny days, as the bright yellow and orange leaves reflecting in puddles can work wonders for your painting.

David Bellamy – Thrashing around for a sketch

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The recent Patchings Art Festival in Nottinghamshire was something of a whirlwind for us, with almost non-stop activity on our stand, and interest in my new book, Seas & Shorelines was astonishing. The book sold out and that was not including the other books. Having meetings with a number of people, I really didn’t manage to see even half the show this year, and had to miss out meeting many artists, but as usual it was a fabulous show, easily the best in the UK. It was a delight to meet so many students even though I was torn away so often by sheer numbers. I did three demonstrations in the St Cuthberts Mill marquee on their superb Waterford and Bockingford papers, and had the privilege of being accompanied on stage by some local wildlife: at the rear of the marquee a nest of bees became interested in the demonstrations. Having these massive bees circling round your head as you paint away does tend to inject a real buzz to your work!

 Getting back home was no picnic. The next day my two-year-old grand-daughter arrived and more or less took over the place, causing delightful mayhem and scattering my toys all over the place. About a week after returning from Patchings things returned almost to normal and I decided to go for a hike in a local gorge. Unfortunately it was massively overgrown with vegetation and I’d forgotten my boots and stick. It took some time to break through to the lip of the gorge, but once there I managed a couple of pencil sketches, one of which appears above. I had to leave out most of the background tree detail.

I continued upstream, high above the rocky course of the stream along a slippery, eroded pathway, but by now armed with a sturdy pole I’d found lying on the ground. Under some cliffs and round the corner I descended into the undergrowth from hell. Nobody had been this way for years probably. I was confronted by a dense area of briars, nettles, branches and other vegetation, all covering many fallen tree-trunks. I didn’t want to return the way I’d come so I literally thrashed my way through the undergrowth, mounting each tree-trunk and attacking the undergrowth beyond before leaping down the far side. This took ages and in the heat the perspiration was running off me. At the far end – some 70 yards or so – I looked back and realised it would have been better to have jumped into the river and waded up, thus avoiding the undergrowth.

There was much more to the day, but I shall pause there. I returned home happy with a brace of sketches and having had plenty of exercise. Just being in such a marvellous spot and enjoying the natural environment is something really special. Even for a few scratches!

 Signed copies of Seas & Shorelines are available from my website

David Bellamy – Painting Wild Serengeti

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I will be giving a talk and demonstration at The Galtres Centre, in the Market Place at Easingwold on Friday 26th April, and you are welcome to come and have a chat. The theme will be “Wild Serengeti” and I will be covering encounters and sketching with African wildlife. The event starts at 7.30 pm and for those using satnav the postcode is YO61 3AD. For tickets and information please ring the Galtres Centre on 01347 822472

The scene shows wildebeeste startled by a lion during the annual pilgrimage across the Serengeti, when the line of wildebeeste runs from one end of the horizon to the other. The lion watched them with indifference, probably having eaten so many he couldn’t face any more for a while! I enjoy working on a narrative like this, where there is more than just the visual image. To make the main animals stand out I deliberately simplified the ground directly behind them. Fast movement is depicted not just by blurring the legs slightly and placing them in running positions, but also by the angle and attitude of the body. This is at its clearest in the two beasts 3rd and 4th from the left, where they are moving away from the viewer and their bodies are slightly leaning over to the left as they turn away.
 The painting was done on Saunders Waterford 140lb rough paper.

Some folk may wonder why I don’t use Facebook, even though there is an account in my name (which I don’t use). I find it almost impossible as I live quite an action-packed life with little time to spare – in fact I don’t paint so often these days because 21st-century life just is too demanding of one’s time. Technology is supposed to make life easier for us, but I find it just adds an extra burden, being so incredibly slow and error-prone. It’s much greater fun to be out in the wilds or at least brandishing the old-fashioned paintbrush somewhere nice and remote.

David Bellamy – The Battle for Llandegley Rhos

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When I visited Llandegley Common to see the extent of the construction of the wind turbines I carried out some sketching, especially those delightful corners, as well as the beautiful panoramas of this much-loved landscape, now under severe threat.

    The early morning sunlight lit up the tangled undergrowth at the entrance to the common, a delight for nature-lovers and wildlife. In the ensuing painting I have changed the greens in the main for warmer colours – I do so love the Daniel Smith Transparent Red Oxide, so powerful and transparent. Here I have tried to show the backlit effect of sunlight catching the rims of the trees, and dropping the Transparent Red Oxide into the trunks while they were still wet with the initial green and yellow ochre mixture. Background trees have been rendered with the wet-in-wet method to suffuse them into the distance, even though I could see them in clear outline.

    The situation with the development at Llandegley Rhos has become appalling: the county council were asked by protesters to stop the developers’ access across the common until they had permission to do so, but the council planners have failed at every turn. They are running around like headless chickens, not knowing what to do, to the disgust of residents and some council workers themselves. One lady living nearby has had a dead fox planted in her drive, its tail cut off – a clear threat. They want these turbines up by 31st January so that they can claim millions for producing absolutely nothing. What other industry works in this way?

    The Campaign for the Protection of Rural Wales has put in for a judicial review, but will it be too late? It was in by 6th December, the cut-off date, but with the developers working round the clock it may well be fait accompli before the case comes to court. CPRW is only a small organisation, unlike its sister in England, but has shown far more professionalism than the Welsh Assembly, Powys CC or the developers, who have shown arrogance and bullying tactics all along. This is an absolute shambles as far as planning law and local democracy is concerned: it simply doesn’t exist in Wales.

    Thankfully I shall be spending Christmas in Sussex with my gorgeous little grand-daughter, and I wish you all a very Happy and peaceful Christmas. May you find lots of lovely arty things in your Christmas stockings!!!

David Bellamy – Bella Italia! Wales descends into a pit of hell

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Finishing off my Seas & Shorelines book, a hiking trip to northern Italy, and a host of demonstrations, workshops and other items has left me little time to write blogs of late. I know some folk are quite happy to create their blog while riding across snow-encumbered steppes, I tend to leave most of my electronic appurtenances at home.

The Italian trip in northern Lombardia was really special, and accompanied by wonderful autumnal sunshine. The mountain scenery was outstanding, the granite peaks positively gleaming a brilliant white in the strong sunlight, and especially striking when set against the warm autumn colours on the trees. This brief sketch was carried out with a very soft Lyra sepia pencil in a few minutes, smudging the tones in places with my fingers as I tried to capture the beautiful evening light illuminating the peaks. Lyra make lovely pencils, and this simple approach is an excellent way to improve your drawing.

Back in Wales it came as quite a shock to learn that a wind turbine development is being allowed to go ahead by the Welsh Assembly in a truly beautiful area, despite being thrown out by the local planning committee and the inspector at the public inquiry, and with very strong opposition from local people. The environment minister, who appears to have no experience in the natural environment, decided to give the scheme the go-ahead ‘because of the national interest!’ Which national interest she had in mind is not clear as it is certainly in the interests of the foreign company constructing the turbines.

The photograph shows the glorious Llandegley Rocks ridge which makes for a really interesting walk. There are starling murmurations with up to around 80,000 birds, which the developer intends to get rid of by cutting down their trees and bushes. The World Health Organisation has recently produced a report that shows that wind turbines cause hearing loss, tinnitus, high blood pressure and heart problems, yet the Welsh Ass has not bothered to carry out an investigation into the health of people living near these contrivances. Mid-Wales relies heavily for tourism for its economy, but unlike other countries the Welsh Ass cares little. If they can do this to Llandegley Rocks then nowhere is safe in Wales from this industrialisation. There is no control, this outcome has indicated that public inquiries are a waste of time, effort, money and emotional resources, and that local democracy is absolutely dead in Wales. Planning control appears to be a thing of the past, and this decision throws all efforts to strike a fair balance into utter confusion. It is a very black prospect for the principality. God help the children of Wales.